PIXELS
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All about PIXELS

 

This article is written by Leo Bongaards ND MH

 

Most readers of this article would know that the iris (and sclera) reveal most if not

all regarding the physical and mental health of a person.     Although there are still

many different opinions and ways of interpreting the information, all do agree that

the  better  the  image  of  the  eye  the  more  accurate  the  interpretation  will  be.

 

New  graduates  looking  for equipment may not have experienced all the types of

equipment  available and  many have little practical experience, with anything but

a torch and magnifying glass. Diagnosis and teaching at the college may have been

done from slides and photographs.

 

The old pioneers of iridology used a magnifying glass and torch as well to observe

the markings and colouring of the iris. The later equipment consisted of an iriscope

with  a  lighting  system,  similar  to the  equipment  that  is  used  by   optometrists.

 

This type of equipment is really the best and  ONLY equipment to use to see all the

markings and colours in the iris and sclera. The view is  multi dimensional,  (the 2

eyes we are seeing through are in different locations in our head, 2 slightly different

images are put together in our brain to give us the ability to judge distances and see depth).

   So  one  can   observe  the  depth  of a radii solaris or nerve ring, the ANW

standing  on  edge like  a flower, psoric spots on the surface and toxins in the fibers.

 

Students   are  best  taught  using this type of equipment before moving on to single

dimension equipment like photographic images for iris diagnosis.

 

To test the issue of depth check this example:

If one had an eye injury and one eye had a patch over it, you  would  still be able to

drive a car reasonably well, as the brain remembers how far away you are from the

car in front, but a person born  with one working eye only can not see distances and

if  the  brain  never  had   the   luxury  of   receiving stereo images no information is

 

available  to  judge  distance  or  see  depth.  Driving  a  car  would be very difficult.

 

Looking at an iris on a monitor screen provides you with the opportunity to see every fiber

   and   colour  clearly  but  you  can not see depth, it is the experience gained by

looking   at  eyes  in  stereo  that makes the correct interpreting of the image possible. 

If  you  wonder why  we  don’t  have stereo monitors, no-one has been able to design

one yet that didn’t need special glasses and have a very limited viewing angle.Maybe

we  will,  one day,  have  holographic  images  as  depicted in science-fiction movies.

 

Practitioners that have worked with “slitlamp iriscopes”  with a camera attached have

had  the  perfect  training  as  they can see  the  correlation between the stereo and flat

image over and over again every day of the week with every patient they see.

These practitioners are in the best position to diagnose from photographs and (single dimension)  monitors. 

 

This brings us to digital imagery.

No one  with  any  foresight  will  purchase  a  film  operated  camera  any  more.

Remember the bad old  days if having to  wait until the roll is full, taking it to the chemist  

to   develop  and  print, only   to   that  the  irises  where  mixed  up, or out of focus and

you try forever  to  find out what patient the eyes belong to. Not to mention the difference

in colour with every film roll. All have gone now with wonderful DIGITAL photography…..

Camera manufactures are falling over them selves to out-do and under price the competition.

Digital cameras are becoming better and cheaper by the day, just as we reached the pinnacle

of film based photography, the CCD was invented. This is a device that breaks up the

 image captures into a matrix of electronic dots. Imagine many hundreds of chess boards

put together and miniaturized to the size of one of your finger nails. That is the modern

capture device called CCD (Charge Coupled Device)

Electronic dots are stored into a memory consisting of millions of on/off switches so no film is required.

For more information on how a CCD works click:

 http://www.oceanoptics.com/Products/howccddetectorworks.asp

 

The latest domestic digital cameras may have CCDs with a number of image dots, or pixels per photographs that can exceed 8,000,000,  as a rule the more dots, the sharper the photo so even when enlarged, it is hard to see the dots, but if you put a magnifying glass over the image (You can try this with your TV set  or computer screen) you can see dots, or rectangular blocks, clearly, they are in clusters off 3 to make full colour images possible. So every 3 dots, Red, Green, Blue, form one distinctly coloured Pixel or image “dot”  How many pixels do we need for a good image? Well the more pixels the better the picture will be. So the smaller the pixels the more may fit into a given space.

 

TV Video images are produced by following a standard, which was agreed upon in the 1940’s. Technology has come a long way since then, however the system has not been changed (but will be soon). Digital TV transmissions will be  introduced and it has been reported that by 2008 all the old (analog) transmissions will end in the USA. No doubt other Countries to follow suit. A normal TV screen can show only  153,200 pixels, if you live in the US or 215,500 pixels for the European PAL system  that  is  used in  Australia.

 

What?.......... Only 0.2 Megapixels ?

 

Yes ! a TV video screen has less than ¼ MP. And your computer screen is only a little better. The LCD screen you are looking at now has still only capable of showing  between 0.7 – 1.3 MP.  To make things worse all these numbers should be divided by 3 as each image “dot” consist of an array of 3 sub-pixels. Below is an illustration showing pixels in a screen.

 clip_image001.gif

 

A video monitor with 215,500 pixels can  display 1024x768 (786,432 pixels),when used as computer monitor.

A pixel or picture-element, is composed of three sub-pixels in the primary colours of red, green, and blue. At each pixel position in an AMLCD (active matrix liquid crystal display) flat screen monitor, three cells of liquid crystal material form the red, green and blue sub-pixels that together allow the full range of colours to be displayed. Individual transistors are arranged in an array on the rear glass to control each sub-pixel. An anomaly or break-down of any one of these individual transistors will cause a bright or dark pixel to appear. Manufacturers have agreed that a standard  LCD screen exhibits less then 8 non-performing or dead pixels, this would equate to an extremely small 0.00026 percent of the total sub-pixel failure !.  Some manufacturers now guarantee NIL dead pixels. This is remarkable technology.

Now  how   do  we  fit  some 3 – 5 Million pixels from a camera on a  0.2 – 1 MP screen?

One would expect to have to throw out lots of information …….   Yes that is quite true.

I have seen  images, made with a High MP Camera that look absolutely shocking on a screen.. Pursuing the pixel race is a waste of time and money there is nothing to be gained by having high megapixel images for diagnosing an iris from a screen or printing a postcard size photograph!  So without making this article into a bookwork of technical formulas it comes down to this:

 

The system is only as good as the weakest link.  

 

Lets look at the set - up; There is a camera, a printer and a monitor.

 

The camera is rated in Mega Pixels say from 3 to 8 MP,

(Beware of merchands offering 12 or more MP cameras; When you read the fine print you find that the actual CCD is only 3 MP and a system called fuzzy logic is used to make the image appear to have a higher number of pixels)

 

Domestic printers are rated in dots per inch 300x300 – 1200x1200,

This equates to approximately 3 MP and 8 MP for 1200-1200 on a 6x4 photo image.

 

Monitors are rated in lines of resolution and may have names like VGA, XVGA, SVGA  The best 22”monitor on the market today can only display around 1 Mp and to display this number of pixels there needs to be, a capture card capable of capturing this amount of pixels, the best I have seen advertised so far is only capable of capturing 1.3 MP divide this number by 3 to arrive at the actual number of pixels shown. (0.4 MP) There is just NO way to increase the number of pixels of a VIDEO monitor, or TV set, as this is bound by an International standard.

 

Is there some logic in all this ?

I would say that a 2 – 4 MP camera works well, this allows you to print  6x4 pictures of excellent quality and even A4 prints will be good.   There  wouldn’t be many iridologists at would want to print each eye on wall poster size paper. Camera manufactures keep increasing the number of MP so a good camera now has 7 or 8MP if one likes it or not.

 

Is it a fluke that EYERONEC came up with the package they now have  for sale ?

NO around 50 cameras and configurations were tested before a decision was made to use the Canon range of Digital Cameras, with its  top quality photo printer and  a good Video Monitor, was added for instant viewing.  The result:  A perfect setup for a busy clinic.

 

If you have a computer and lots of time and a patient that is not in a hurry, you can capture images, import them into a program and view them on a computer monitor, Although in theory the computer screen  may have a slightly better resolution than the Video Monitor,  there would be , in my view,  no difference to the diagnosis at all.

The disadvantage with other cameras is that apart from them being heavy, composing and taking the picture is done by looking trough a tiny view finder, making focusing hard and all use a flash.

 

Printed pictures will always be of better quality than the image on a screen and  pictures can easily be stored in the patients file. If you store the images on a computer you need lots of memory and the image needs to be compressed  (which means less pixels !) and how will you  compare them with the new image, when the patient presents again? Write a special program for split screen? Yes that’s possible with special software, but the size of each eye would not be much larger than your 6x4 photograph and certainly NOT as sharp!.

 

 

So to conclude:

 

*The EyeRonec  CANON DIGITAL Still cameras  are the best cameras   

  to base an iriscope system on because they produces instant (live)  

  images on a large screen to allow precise focusing and instant viewing.!

 

Taking the picture takes no more than 10 seconds per iris providing you can SEE THE IMAGE ON A LARGE SCREEN  It  totally does away with fiddling with computers and trying to focus with a 1” mini screen.  Magnification to well over 100x is possible, instantly. ALL other makes of Iris cameras need focusing by looking through a tiny view finder.

 

*Photographs: Top quality prints ( 100 years CANON guarantee) take around a minute to print; while you talk or listen to the  patient.

 

*No work to be done after the consultation, just put the patient card and the pictures in the patient file, (which may be a large envelope).

 

*No computer or software is needed so the system is much more  economical and complete.

 

*No lost data when the hard disk crashes or the computer is damaged or stolen.

 

* Ease of portability due to the small size of the camera and the printer and the super flat LCD monitor.

    (Case size 470x320x150mm Weight  around 10Kg)

 

 

So all round the EyeRonec system is the best system for YOUR clinic.

 

 
 
 
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